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诱饵2019剧情简介
康(kāng )(🈯)沃(wò )尔渔村的(🔨)风景明信片田园诗误导了(le )(🔼)人们。虽然过去钓鱼是一种养家糊口(kǒu )的方式，但如(rú )今富(fù )有的(de )伦敦游客纷纷(🌫)下(xià )山，取(qǔ )(🎏)代(dài )了当地人，当地(dì )人的(de )生计因此受到(🗄)威胁。史蒂文和马丁兄弟的关系也(🐖)很紧(jǐn )张。马丁(dīng )是一(😚)个没有(yǒu )船(chuán )的(de )(🚸)渔夫(fū )，因为史蒂文开始用它来(lái )为一整天的游客提供(🚨)更赚钱(qián )的旅游(❔)。他们卖掉了这座家(jiā )庭别墅(📙)，现在看来，最后一(🙄)场战斗(🙀)是和新主(🎾)人在海边的停(🤷)车位(🧤)上展(zhǎn )开(kāi )。然而，情况(kuàng )很快就失控了(le )，而不(bú )仅(🤖)仅(jǐn )是因为车轮(lún )夹钳。 Bait是一种黑白，手工(➡)制作，16毫(háo )米(mǐ )胶(jiāo )片制(zhì )作(💅)的(de )电影。许(🐩)多关(guān )于鱼(yú )、网、龙虾(🈺)、长靴、绳结和渔篮的特写镜头让(ràng )人想起(🐞)了蒙(méng )太奇景(jǐng )点(diǎn )的(🔎)理(🌂)论(🔙)。对(duì )不同社(shè )会阶(💣)层的(🚡)描述——可以说是阶级关系——也让人想起了英国电影中的社会(huì )(✖)现实主义传统。然(rán )而(ér )，最(💁)重要的(de )是，在影像中不同层次的电影历史参考文献之下，当前许(🛃)多政治关联(🚓)正在等待被(bèi )发现(xiàn )。 (🏆) The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.视频本站于2025-05-14 06:05:24收藏于/影片特辑。观看内地vip票房，反派角色合作好看特效故事中心展开制作。特别提醒如果您对影片有自己的看法请留言弹幕评论。
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